The next key frame of the same shot as image 1, in exactly the same drawing style, with exactly the same camera, framing and lobby. A moment later: the black iron elevator doors on the left are now fully closed, and the woman is no longer visible. The arrow on the dial above the doors points up. The man on the right is in the same place, with the same coat and flower, one hand on the curved handle of his closed umbrella, but he has turned his head to look straight at the camera, at us, with one eyebrow raised high and a sly, knowing half smile with closed lips, and he has straightened up with his chin lifted and his free hand now lightly adjusting the flower in his lapel, confident and pleased with himself. He has exactly two arms and two hands. No text.
