The next key frame of the same shot as image 1, in exactly the same drawing style, with exactly the same camera, framing, roof, sky and city. Image 2 shows the woman's exact face, hair and red gown, with no flower in her hair. A moment later: the black iron door on the left is now fully open, with a warm lit elevator interior behind it. The woman has stepped out onto the roof in front of it, large and fully visible, facing the man, laughing helplessly with her head thrown back, eyes shut with joy, mouth open in a real laugh, one hand pressed to her chest. The man is still sitting on the parapet in the same place with his legs crossed, the small red flower in his lapel, but he has turned his head toward her and tips his head in one small elegant bow, one eyebrow raised, a pleased half smile with closed lips, one hand lightly lifted from the umbrella handle in a little salute. His face stays clearly visible in three-quarter view. Each has exactly two arms and two hands. No text.
