The same scene as image 1, in exactly the same drawing style, with the same camera, roof, stone parapet, sky and city panorama. The black iron door on the left is fully open onto a warm lit elevator. The woman from image 2, in her red gown with no flower in her hair, stands in the doorway, large and fully visible, already smiling with delight and looking eagerly to the right at the parapet, where she expects him. The parapet on the right is completely empty: no man and no umbrella. A big empty space at the right of the frame with only the city far below and the pale sky. No text. She has exactly two arms and two hands.
