Epic cinematic realistic painting, Mesolithic Crimea about 8000 BC, late November, first light of dawn. Three long wooden plank-built rowing boats (clinker-built, overlapping planks fastened with small iron rivets, high pointed prow, about 7 meters long) glide in a column over a cold grey Black Sea through low mist along a coast of dark volcanic cliffs. Each boat: four rowers pulling oars, a steersman at the stern with a steering oar, armed warriors sitting low. Warriors in full gear: rectangular wooden shields made of boards covered with rawhide leather, slung on their backs or leaning on the gunwales; long wooden bows and quivers of arrows; spears with leaf-shaped blades; knives at belts; clothing of animal hides, furs, leather leggings, fur caps; breath steaming in the cold, frost on the oars, spray. In the lead boat stands Andrey at the prow: man of 25, Slavic face, fair skin, short light-brown hair, clean-shaven, tall and athletic, calm steady gaze forward, leather tunic and fur cloak, a spear in hand. Behind the three boats, two smaller dark dugout canoes follow with a few paddlers. ALL people are Europoid (Caucasian): tanned olive skin, dark hair, broad cheekbones, grown men bearded; men never wear braids; no East Asian features. No metal armor, no helmets, no sails, no Viking dragon heads, no modern items, no text. Muted cold palette, soft pink-grey light breaking through mist on the horizon, dramatic atmosphere, painterly yet photoreal detail.
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